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Compressor EmulationsEQ EmulationsLiquid Channel CompressorsMic PresSnapshots
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608 0000-00-00 00:00:00 Liquid Channel Compressors
The ISA 130 is a discrete VCA compressor, which uses peak side-chain detection. Its sound is very reliable and accurate, providing a wide range of control over threshold, ratio, attack and release. Due to transformer coupling, there is some colour and warmth added to the signal but the overall feel is of pristine clarity and subtle depth.
273 2004-12-01 00:00:00 EQ Emulations
Born on the 10th of May 1970, the 1073 preamp is most likely the worlds most desirable and famous preamp. Designed for the Wessex A88 console, the module was used extensively during the 70s on a range of Neve consoles. The 1073 is a Class A circuitry module offering 3 bands of EQ with one fixed high frequency band and two switchable bands with cut and boost.
2825 2004-12-01 00:00:00 EQ Emulations
Conceived for the API's consoles, the 550 "B" is a new version of the original 1967 550. The 550B's four EQ bands overlap significantly to act as a problem solver and sweetening device. Each band offers 7 switchable filter frequencies, ranging from 4 to 5 octaves. The "API Proportional-Q? widens the filter bandwidth at minimal settings and narrows it at higher settings.
2031 2004-12-01 00:00:00 EQ Emulations
The MEQ5 produces a warm, smooth and sweet EQ contour, combined with an extremely high-quality tube audio signal path. Like most EQ classics, they are very easy to use: Grab a control, twist it and everything sounds great. The MEQ-5 allows you to boost and cut midrange frequency bands with silky smoothness and a lot of personality.
1991 2004-12-01 00:00:00 EQ Emulations
Our very own voice-optimised EQ features fixed bands for breath (high frequency) and mid (mid frequency) that can both be boosted or cut. A warmth band (low frequency) has selectable frequency and gain. There is also an extra band for removing unwanted mid frequencies called absence.
2230 2004-12-01 00:00:00 EQ Emulations
Our very own voice-optimised EQ features fixed bands for breath (high frequency) and mid (mid frequency) that can both be boosted or cut. A warmth band (low frequency) has selectable frequency and gain. There is also an extra band for removing unwanted mid frequencies called absence.
2589 2004-12-01 00:00:00 EQ Emulations
This is one of the first Neve EQ's. A fantastic and yet complex sound hides behind the simplicity of the HF and LF controls and single MID section with switched frequencies. The mid section also significantly affects the HF when switched in, even with no lift or cut. Get used to Kc/s, which is the old term for kHz.
2133 2004-12-01 00:00:00 EQ Emulations
The VT-747SP is a six-band program equalizer that utilises 100% discrete, Class A high-voltage transistors for optimum sonic performance. The six band STEREO program EQ has the smooth characteristics of an all-passive design. The frequency turnover, Q and amplitude ranges for each band provide a natural harmonic balance and the lowest phase change, while offering simple and effective tone control. A great work horse in mixdown and mastering situations.
2503 2004-12-01 00:00:00 EQ Emulations
Designed by the legendary Saul Walker in the late 60s, the discrete 550A was initially used as a modular OEM equalizer. The industry rapidly embraced the sonic quality of the 550A and it found its way into many custom console designs. The combination of Walker's 2520 op amp, and the "Proportional Q" circuitry provides the user with an uncomplicated way to achieve acoustically superior equalization.
2001 2004-12-01 00:00:00 EQ Emulations
The EQH-2 is a program equalizer, very similar to the EQP-1. It was designed to provide a smooth equalization across final mixes or individual tracks. It used high-quality transformers and a tube gain stage which is a push-pull design and as a result offers a much beefier character.
3025 2004-12-01 00:00:00 EQ Emulations
The MASSIVE PASSIVE is a dual-channel, four-band equalizer, with additional high-pass and low-pass filters. "Passive" refers to the EQ design not using any active circuitry. It only consists of metal film resistors, film capacitors and hand-wound inductors, thus giving you a massively beefy sound with super headroom and all-tube make-up gain amplifiers. It allows huge HF boosts without sibilance problems and a lovely fatness without mud.
2160 2004-12-01 00:00:00 EQ Emulations
The EAR 822Q equalizer is a simple passive device. EAR products always put the highest possible sound quality in the forefront. It is a characteristic of the 822Q that subtle equalization is not masked in effect by the distortion that is often the result due to inadequate active filters. The audio circuitry stays true to the EAR principles of simplicity and transparency.
2175 2004-12-01 00:00:00 EQ Emulations
2459 2004-12-01 00:00:00 EQ Emulations
2770 2004-12-01 00:00:00 EQ Emulations
The VT-737SP parametric equalizer utilizes 100% discrete, Class A, high-voltage transistors are used in the Avalon 737 for optimum sonic performance. It provides the smooth characteristics of an all-passive tube design. The enhanced mid-range bands can be extended by using the X10 frequency multipliers. The output amplifier utilises another dual triode vacuum tube driving a 100% discrete, Class A, high-current, balanced and DC-coupled low noise output amplifier.
3860 2004-12-01 00:00:00 EQ Emulations
This is a classic (pre Neve) Amek console with a phenomenal track record. It had a very musical 4-band EQ, with low and high shelving and two sweepable mid bands. The Angela provided you with a very smooth and silky sound and plenty of bottom end if required. For those pre-digital heads: The sound is big, warm and very analog.
2731 2004-12-01 00:00:00 EQ Emulations
The AD2055 combines active and passive filter topologies with sonic excellence. It is the perfect solution for two-buss music-program equalization, special instrument EQ, FX applications and ultra high performance mastering studio's. The AD2055 offers high-voltage, large headroom, extended bandwidth and very low noise.
1927 2004-12-01 00:00:00 EQ Emulations
6213 2004-12-01 00:00:00 EQ Emulations
This is a Unique EQ! The Chandler Limited Channel MKII Abbey Road Special Edition EMI is a recreation of several classic circuits and combines a TG2 preamp section with an equalizer that was redesigned from an equalization circuit used in the TG12410 Transfer or mastering console. It offers very sweet high frequencies with large inductor-based solid low frequencies, and a very high "Q" mid cut section.
1700 2004-12-01 00:00:00 Compressor Emulations
The DBX 165 is a solid state compressor/limiter. Like other dbx compressors, it's known for its OverEasy trademark compression that provides an extremely smooth, almost inaudible compression. The compression can be transparent, even when compressing heavily.
382 2004-12-01 00:00:00 Compressor Emulations
The Distressor controls just about any source in a very pleasing and "musical" manner, adding fullness, intelligibility and especially excitement. The compressor is digitally controlled, but offers a warm, vintage sound by allowing you to add 2nd- or 3rd- order harmonic distortion to the signal (See COPYCAT2 and COPYCAT3 - COPYCAT has no added harmonics), emulating tape saturation and the classic tube compressor sound of the '60's and '70's. Don't miss out on the NUKE setting (by turning the ratio dial to full)!
1768 2004-12-01 00:00:00 Compressor Emulations
Designed in the early 1950s, the Fairchild 670 is part of the variable-mu limiter family. Variable-mu designs use an unusual form of vacuum tube that is capable of changing its gain dynamically. This results in, in addition to featuring a tube output stage, the Fairchild actually achieving gain reduction using tubes. A lovely warm and thick sound.
1489 2004-12-01 00:00:00 Compressor Emulations
The ISA 130 is a discrete VCA compressor, which uses peak side-chain detection. Its sound is very reliable and accurate, providing a wide range of control over threshold, ratio, attack and release. Due to transformer coupling, there is some colour and warmth added to the signal but the overall feel is of pristine clarity and subtle depth.
1559 2004-12-01 00:00:00 Compressor Emulations
Our classic Green 5 is a discrete VCA compressor, which uses peak side-chain detection. Its sound is reliable and accurate, providing a wide range of control over threshold, ratio, attack and release.
1513 2004-12-01 00:00:00 Compressor Emulations
Our much revered Red 7 is a discrete VCA compressor, which uses peak side-chain detection. Its sound is reliable and accurate, providing a wide range of control over threshold, ratio, attack and release. Due to transformer coupling, there is some colour and warmth added to the signal but the overall feel is of pristine clarity and subtle depth. The Red 7 and U87 microphone have become an industry standard in recording studios across the globe.
1652 2004-12-01 00:00:00 Compressor Emulations
SLAM! The acronym for "Stereo Limiter And Micpre" will get LOUD fast! This box houses four Limiters and Class A tube mic preamps. Manley combined their favorite Electro-Optical circuit (ELOP) with an extremely fast FET based brick-wall limiter. The FET LIMITER covers the range of clean predictable limiting all the way to grunge and gravel. The FET RELEASE control allows you to achieve a variety of colours. The "CLIP" setting provides an surpassed round shape. It's punchy and Manley's rule of thumb is: 'Louder is better'.
1517 2004-12-01 00:00:00 Compressor Emulations
SLAM! The acronym for "Stereo Limiter And Micpre" will get LOUD fast! This box houses four Limiters and Class A tube mic preamps. Manley combined their favorite Electro-Optical circuit (ELOP) with an extremely fast FET based brick-wall limiter. One of the most appreciated aspects of the SLAM!'s original ELOP® is the simplicity of a two knob limiter, which is perfect for the most demanding recording situations.
1640 2004-12-01 00:00:00 Compressor Emulations
The Manley Variable Mu Limiter has become a real standard in Mastering studios. "Mu" is tube talk for gain. It works by using the "remote cut-off" (re-biasing) of a vacuum tube in order to achieve compression (like the Fairchild 670).The COMPRESS mode is soft-knee (1.5 to 1) while the sharper knee LIMIT mode starts at 4 to 1 and moves to 20 to 1 when limiting over 12dB. The knee softens when more limiting is applied.
1581 2004-12-01 00:00:00 Compressor Emulations
The Joemeek SC2 was one of the first products to expose the industry to Ted Fletcher's circuit design. The SC2 uses a photo-electric gain-control element with modern servo-control techniques, which results in accuracy and speed of response to the light source. The strength of the SC2 is in stereo bus compression. The SC2 is not the type of machine that can be simply set and left. It requires experimentation and tweaking. It provides both very musical limiting and compression and reacts to changes in sound in a way that is pleasant to the ear.
2100 2004-12-01 00:00:00 Compressor Emulations
The emulations offer combinations of Soft, Medium and Hard Knee settings; Loud, Medium and Normal 'Thrust' settings; and Feed-back and Feed-forward compression. This compressor can offer subtle to aggressive compression. The 'Thrust' settings are various levels of high-pass filtering in the sidechain, allowing less bass signal being fed to the compressor's detection circuit. This results in heavier / punchier bass in the output signal. Feed-back is a vintage style, while feed-forward is a modern style of compression.
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