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<title>Liquid Assets: Liquid Channel Compressors File Feed </title>
<description>Liquid Channel Compressors</description>
<link>http://www.sistemos.com</link>
<language>en-us</language>
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<item>
<title>Empirical Labs EL8 Distressor Distortion Setting 1</title>
<description><![CDATA[The Distressor controls just about any source in a very pleasing and "musical" manner, adding fullness, intelligibility and especially excitement. The compressor is digitally controlled, but offers a warm, vintage sound by allowing you to add 2nd- or 3rd- order harmonic distortion to the signal (See COPYCAT2 and COPYCAT3 - COPYCAT has no added harmonics), emulating tape saturation and the classic tube compressor sound of the '60's and '70's. Don?t miss out on the NUKE setting (by turning the ratio dial to full)!
]]></description>
<pubDate>Wed, 30 Apr 2008 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/334/</link>
</item>

<item>
<title>Empirical Labs EL8 Distressor Distortion Setting 2</title>
<description><![CDATA[The Distressor controls just about any source in a very pleasing and "musical" manner, adding fullness, intelligibility and especially excitement. The compressor is digitally controlled, but offers a warm, vintage sound by allowing you to add 2nd- or 3rd- order harmonic distortion to the signal (See COPYCAT2 and COPYCAT3 - COPYCAT has no added harmonics), emulating tape saturation and the classic tube compressor sound of the '60's and '70's. Don?t miss out on the NUKE setting (by turning the ratio dial to full)!
]]></description>
<pubDate>Wed, 30 Apr 2008 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/336/</link>
</item>

<item>
<title>Millennia STT-1 (vacuum tube and transformer) </title>
<description><![CDATA[The Millennia STT-1 offers vacuum tube or solid state circuits. The fast attack opto-compressor/limiters are available with 100% Class A, all-discrete J-FET solid state topology or 100% Class A, all triode vacuum tube topology. The STT-1 also offers the Twin Topology, a choice of colorful transformer-coupled or transformerless audio paths. All circuits have been designed to deliver a musical optimization of their inherent character. It has the ability to be clear and pristine accurate representation of the source. It can also deliver color and thickness.
]]></description>
<pubDate>Wed, 30 Apr 2008 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/340/</link>
</item>

<item>
<title>Millenia STT-1 (solid state with transformer)</title>
<description><![CDATA[The Millennia STT-1 offers vacuum tube or solid state circuits. The fast attack opto-compressor/limiters are available with 100% Class A, all-discrete J-FET solid state topology or 100% Class A, all triode vacuum tube topology. The STT-1 also offers the Twin Topology, a choice of colorful transformer-coupled or transformerless audio paths. All circuits have been designed to deliver a musical optimization of their inherent character. It has the ability to be clear and pristine accurate representation of the source. It can also deliver color and thickness.
]]></description>
<pubDate>Wed, 30 Apr 2008 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/342/</link>
</item>

<item>
<title>API 2500 st mastering comp (New/Loud/Hard setting)</title>
<description><![CDATA[The API 2500 is a versatile compressor. Its wide range of ratios, with hard, medium or soft knee compression, and attack and release times offer subtle compression all the way to brick wall limiting. The unit uses Audio Toys' Thrust circuit before the RMS detector to deliver more low end "punch." The 2500 gives you 2 styles of compression; Old style uses a feedback method of compression, while New style uses VCA modulated (Feed Forward Type) compression.
]]></description>
<pubDate>Wed, 30 Apr 2008 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/338/</link>
</item>

<item>
<title>TL Audio C-1 dual valve comp</title>
<description><![CDATA[Its General Electric US military specification valves (ECC83/12AX7A) and high retention gold plated ceramic valve bases allow the C-1 to produce a fat sound. The first valve stage acts as a voltage amplifier, and the second stage forms part of the gain control element. The gain control is performed by TLA's unique transconductance stage which avoids the use of VCAs. This improves transparency and minimises distortion. This compressor is capable of more drastic action, but generally speaking, its strength is unobtrusive control rather than deliberate creative effect.
]]></description>
<pubDate>Wed, 01 Dec 2004 00:00:00 +0000</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/200/</link>
</item>

<item>
<title>Summit DCL- 200 dual comp/lim</title>
<description><![CDATA[The DCL-200 is a dual channel compressor/limiter and is based on a hybrid design, combining the characteristics of valves with the reliability of solid state devices. Its circuitry incorporates 12AX7A vacuum tubes and 990 op-amps in a transformerless signal path. It is a favourite in both the live sound and studio environments and provides you with a crisp yet smooth high frequency response and the sweet low-mid and low frequencies you get from vacuum tubes.]]></description>
<pubDate>Wed, 01 Dec 2004 00:00:00 +0000</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/197/</link>
</item>

<item>
<title>Summit TLA-100A</title>
<description><![CDATA[The Summit Audio TLA-100A Tube Leveling Amplifier is a classic design with a technological hybrid of vacuum tube and solid state devices. It produces an incredibly warm and smooth sound that does not have the inherent disadvantages of older designs. When fast transient signals are being fed to the TLA-100A, the unit reacts fast, both in attack and release. When the signal is more legato, the attack and release times react more slowly.
]]></description>
<pubDate>Wed, 01 Dec 2004 00:00:00 +0000</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/198/</link>
</item>

<item>
<title>Teletronix Model LA-2A</title>
<description><![CDATA[If you are passionate about compressors, you'll love the LA-2A. The original was immediately acknowledged for its natural sounding compression characteristics. It has a unique electro-optical attenuator system that allows immediate gain reduction without an increase in harmonic distortion. The LA-2A is an absolute all time classic.
]]></description>
<pubDate>Wed, 01 Dec 2004 00:00:00 +0000</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/199/</link>
</item>

<item>
<title>DRAWMER 1960 vacuum tube comp</title>
<description><![CDATA[The Drawmer 1960 is a 2-channel unit combining eight active tube stages, low noise and the reliability of solid state electronics. Each channel is comprised of a natural sounding "soft knee" vacuum tube compressor. Soft knee designs do not have a rigidly defined threshold but the title 'Threshold' (amount of compression) has been retained. Attack simply offers a choice of slow, medium and fast. Release has six settings: Positions 1-4 have fixed release times, positions 5-6 are two different programme-dependent release time modes.
]]></description>
<pubDate>Wed, 01 Dec 2004 00:00:00 +0000</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/210/</link>
</item>

<item>
<title>dbx 165 comp/limiter (US)</title>
<description><![CDATA[The DBX 165 is a solid state compressor/limiter. Like other dbx compressors, it's known for its OverEasy trademark compression that provides an extremely smooth, almost inaudible compression. The compression can be transparent, even when compressing heavily.
]]></description>
<pubDate>Wed, 01 Dec 2004 00:00:00 +0000</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/176/</link>
</item>

<item>
<title>Empirical Labs EL8 Distressor</title>
<description><![CDATA[The Distressor controls just about any source in a very pleasing and "musical" manner, adding fullness, intelligibility and especially excitement. The compressor is digitally controlled, but offers a warm, vintage sound by allowing you to add 2nd- or 3rd- order harmonic distortion to the signal (See COPYCAT2 and COPYCAT3 - COPYCAT has no added harmonics), emulating tape saturation and the classic tube compressor sound of the '60's and '70's. Don?t miss out on the NUKE setting (by turning the ratio dial to full)!
]]></description>
<pubDate>Wed, 01 Dec 2004 00:00:00 +0000</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/177/</link>
</item>

<item>
<title>Manley Slam FET (US)</title>
<description><![CDATA[SLAM! The acronym for "Stereo Limiter And Micpre" will get LOUD fast! This box houses four Limiters and Class A tube mic preamps. Manley combined their favorite Electro-Optical circuit (ELOP®) with an extremely fast FET based brick-wall limiter. The FET LIMITER covers the range of clean predictable limiting all the way to grunge and gravel. The FET RELEASE control allows you to achieve a variety of colours. The "CLIP" setting provides an surpassed round shape. It's punchy and Manley's rule of thumb is: 'Louder is better.'
]]></description>
<pubDate>Wed, 01 Dec 2004 00:00:00 +0000</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/182/</link>
</item>

<item>
<title>Manlet Slam Opto (US)</title>
<description><![CDATA[SLAM! The acronym for "Stereo Limiter And Micpre" will get LOUD fast! This box houses four Limiters and Class A tube mic preamps. Manley combined their favorite Electro-Optical circuit (ELOP®) with an extremely fast FET based brick-wall limiter. One of the most appreciated aspects of the SLAM!'s original ELOP® is the simplicity of a two knob limiter, which is perfect for the most demanding recording situations.
]]></description>
<pubDate>Wed, 01 Dec 2004 00:00:00 +0000</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/183/</link>
</item>

<item>
<title>Joe Meek SC2 compressor</title>
<description><![CDATA[The Joemeek SC2 was one of the first products to expose the industry to Ted Fletcher's circuit design. The SC2 uses a photo-electric gain-control element with modern servo-control techniques, which results in accuracy and speed of response to the light source. The strength of the SC2 is in stereo bus compression. The SC2 is not the type of machine that can be simply set and left. It requires experimentation and tweaking. It provides both very musical limiting and compression and reacts to changes in sound in a way that is pleasant to the ear.
]]></description>
<pubDate>Wed, 01 Dec 2004 00:00:00 +0000</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/185/</link>
</item>

<item>
<title>Millenia STT-1 (solid state)</title>
<description><![CDATA[The Millennia STT-1 offers vacuum tube or solid state circuits. The fast attack opto-compressor/limiters are available with 100% Class A, all-discrete J-FET solid state topology or 100% Class A, all triode vacuum tube topology. The STT-1 also offers the Twin Topology, a choice of colorful transformer-coupled or transformerless audio paths. All circuits have been designed to deliver a musical optimization of their inherent character. It has the ability to be clear and pristine accurate representation of the source. It can also deliver color and thickness.
]]></description>
<pubDate>Wed, 01 Dec 2004 00:00:00 +0000</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/187/</link>
</item>

<item>
<title>Neve 2254/A st. comp/limiter</title>
<description><![CDATA[The 2254s were found in the older (dark gray) 80 Series Neve consoles and have a fixed attack time. A variety of compression ratios are available. The fastest release time on the 2254 is 400ms on the compressor and 100ms on the limiter. If you want something to cut through in the mix and add some body to it, this is the one.]]></description>
<pubDate>Wed, 01 Dec 2004 00:00:00 +0000</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/189/</link>
</item>

<item>
<title>PYE 84 4060/01 comp/limiter</title>
<description><![CDATA[This is a classic British solid state unit with unique circuit principles. The basic compression amplifier is model 845751. This unusual beast works on the Mark-space principle, which takes energy out of peaks rather than crushing them. The PYE is a marvelous compressor, very musical and exceptionally easy to use with few parameters to adjust and very smooth automatic gain make up. If you were looking for colour, you found it.
]]></description>
<pubDate>Wed, 01 Dec 2004 00:00:00 +0000</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/190/</link>
</item>

<item>
<title>Smart Research C2 bus comp.</title>
<description><![CDATA[The C2 compressor houses two independent mono compressors. The characteristic sound of this unit arises mostly from the fast response at the start of compression. When used across a mix, or with any dynamic programme, the C2 has the effect of adding 'punch', as the sidechain 'breathes' around these transients, while still controlling overall levels.
]]></description>
<pubDate>Wed, 01 Dec 2004 00:00:00 +0000</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/191/</link>
</item>

<item>
<title>Smart Research C2 (crush) </title>
<description><![CDATA[The C2 compressor houses two independent mono compressors. The characteristic sound of this unit arises mostly from the fast response at the start of compression. When used across a mix, or with any dynamic programme, the C2 has the effect of adding 'punch' as the sidechain 'breathes' around these transients, while still controlling overall levels. CRUSH mode has been developed as an extension of this 'musicality'. The C2's superb sonic performance and its 'Crush' function has made this the unit of choice among so many successful producers in the pop field.
]]></description>
<pubDate>Wed, 01 Dec 2004 00:00:00 +0000</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/192/</link>
</item>

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