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<title>Liquid Assets: Liquid Channel / 4PRE Mic Pres File Feed </title>
<description>Liquid Channel / 4PRE Mic Pres</description>
<link>http://www.sistemos.com</link>
<language>en-us</language>
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<item>
<title>Grooves Tubes VIPre med input impedance</title>
<description><![CDATA[The magic behind the VIPre, which stands for Variable Impedance Preamp, lies in its ability to modify the input impedance. As is the case with many Focusrite front-end devices, this feature opens up a much larger sonic window for each microphone in your arsenal.]]></description>
<pubDate>Tue, 29 Apr 2008 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/300/</link>
</item>

<item>
<title>Telefunken V72 high gain</title>
<description><![CDATA[The V72 was developed at the NWDR (North West German Radio) between 1949 to 1953, as a microphone and main studio amplifier. It was modeled on the basis of the V41 (developed in 1928 by Telefunken), but with modern parts like the Noval glass tubes and in a smaller housing known as the "Danner" cassette module. The V72 is a self-contained amplifier with a fixed gain. It was used as a mic amp up to 1955 in German radio stations and then later by most of the European Recording Companies like EMI, Decca/Telefunken etc. whose units were modified with a fixed gain of 40dB and a lower input impedance.]]></description>
<pubDate>Tue, 29 Apr 2008 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/310/</link>
</item>

<item>
<title>Studer D19 MicValve Driven</title>
<description><![CDATA[Studer engineers have been working with vacuum tubes since the company's beginnings nearly 60 years ago. As a result Studer GmbH has an excellent knowledge of how to achieve the "tube sound". Studer has been able to create the "warmth", and other unique features of tube sound, in the D19 MicVALVE. This system is a unique 2-channel mic/line preamp with a "Valve Dignifier" tube stage. The tube sound circuitry can be switched into the signal path and offers control over a number of individual tube characteristics.  The MicValve of the Studer D19-family was presented to the public in 1996, the same year Willi Studer passed away.]]></description>
<pubDate>Tue, 29 Apr 2008 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/324/</link>
</item>

<item>
<title>Sounds Incorporated Telefunken V72</title>
<description><![CDATA[The V72 was developed at the NWDR (North West German Radio) between 1949 to 1953, as a microphone and main studio amplifier. It was modeled on the basis of the V41 (developed in 1928 by Telefunken), but with modern parts like the Noval glass tubes and in a smaller housing known as the "Danner" cassette module. The V72 is a self-contained amplifier with a fixed gain. It was used as a mic amp up to 1955 in German radio stations and then later by most of the European Recording Companies like EMI, Decca/Telefunken etc. whose units were modified with a fixed gain of 40dB and a lower input impedance. The Sounds Incorporated re-issue is a later released version of the original V72, and is perfect for bringing digital sounds back to life!]]></description>
<pubDate>Tue, 29 Apr 2008 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/306/</link>
</item>

<item>
<title>Sounds Incorporated Telefunken V72 high gain</title>
<description><![CDATA[The V72 was developed at the NWDR (North West German Radio) between 1949 to 1953, as a microphone and main studio amplifier. It was modeled on the basis of the V41 (developed in 1928 by Telefunken), but with modern parts like the Noval glass tubes and in a smaller housing known as the "Danner" cassette module. The V72 is a self-contained amplifier with a fixed gain. It was used as a mic amp up to 1955 in German radio stations and then later by most of the European Recording Companies like EMI, Decca/Telefunken etc. whose units were modified with a fixed gain of 40dB and a lower input impedance. The Sounds Incorporated re-issue is a later released version of the original V72, and is perfect for bringing digital sounds back to life!]]></description>
<pubDate>Tue, 29 Apr 2008 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/308/</link>
</item>

<item>
<title>Trident MTA A Series</title>
<description><![CDATA[The Trident MTA A-series dual channel preamp is taken from the Trident A range console, released in the early 70s. It's valves produce a relatively rich and full bodied sound that has achieved wide popularity over the years.]]></description>
<pubDate>Tue, 29 Apr 2008 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/312/</link>
</item>

<item>
<title>Universal Audio M610 low impedance</title>
<description><![CDATA[The Universal Audio M610 was designed by Bill Putnam and has a vibrant high frequency response and the deep, prominent bottom-end that has graced countless recordings. The Universal Audio M610 mic pre is a popular tool for tracking, whether running a pure analogue setup or looking to warm up the DAW. ]]></description>
<pubDate>Tue, 29 Apr 2008 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/314/</link>
</item>

<item>
<title>Telefunken V76/80 high gain</title>
<description><![CDATA[Many claim this to be the "Rolls-Royce" of tube mic preamps. The V76 was designed by the IRT and built from 1958 by TAB/Germany . The V76 was designed for high gain (which the V72 couldn't provide) applications in radio and TV studios. The circuit of the gain selector works in a unique way, by combining variable input attenuation and variable feedback. 
]]></description>
<pubDate>Tue, 29 Apr 2008 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/326/</link>
</item>

<item>
<title>Focusrite ISA 110 high gain</title>
<description><![CDATA[The ISA 110 module was the preamp extracted from the legendary Focusrite Forte console. The module features classic vintage preamplifier topology, including the Lundahl L1538 transformer and bespoke zobel network. Many recording studios and highly regarded producers, including Sir George Martin, subsequently had racks of ISA 110s installed. The pristine clarity and subtle colouration that signifies the distinctive Focusrite sound thus achieved worldwide fame.]]></description>
<pubDate>Tue, 29 Apr 2008 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/316/</link>
</item>

<item>
<title>Focusrite GREEN 5 high gain</title>
<description><![CDATA[The Green 5 was Focusrite's first attempt to make the classic processing technology of the Reds and ISAs available to engineers on a tighter budget. As with the more recent platinum range, a similar high quality and classic Focusrite sound was assured due to the cleverly designed class A op-amp based circuitry. ]]></description>
<pubDate>Tue, 29 Apr 2008 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/318/</link>
</item>

<item>
<title>Focusrite Red 1 high gain</title>
<description><![CDATA[The Red range was launched in 1992 and are still sold to this day. The modules are all hand-built and use the same circuit topology as the Forte console and ISAs but with improved electronic performance, mechanical integrity and control layout. A U87 microphone and a Focusrite Red have become a standard in professional studio recording. The high performance standard has won numerous awards over the years, including 2 TEC awards.]]></description>
<pubDate>Tue, 29 Apr 2008 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/320/</link>
</item>

<item>
<title>Neve 1073 low input impedance</title>
<description><![CDATA[Launched in 1970, the original Neve 1073 became the most famous and desirable mic preamp in the world. The 1073 delivers the unique Neve sound, featured on some of the most famous recordings of the past 30 years. The big, punchy sound of the 1073 compliments any musical genre—from rock to pop, hip-hop to easy listening, thrash to classical. Originally fitted to the custom console for Wessex A88, the 1073 module helped define recording techniques for a generation of classic records. ]]></description>
<pubDate>Tue, 29 Apr 2008 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/304/</link>
</item>

<item>
<title>Neve 3416B high gain</title>
<description><![CDATA[The Neve 3416 contains the same classic design as the 1081, only this unit has been tweaked and re-racked (by Blakey Boy). The gain pot on this unit is more like a volume pot which goes from off to +22dBu, with a 20dB boost switch.]]></description>
<pubDate>Tue, 29 Apr 2008 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/322/</link>
</item>

<item>
<title>dbx 786 low input impedance</title>
<description><![CDATA[The dbx 786 gives you two channels of precise pre-amplification without extra noise, interference or worries. The signal path consists of a transformer-coupled, discrete-design premium input stage, utilising the dbx M8 mic pre module. The "Spectrum" technology is a unique, variable high-frequency equalization circuit that enhances the high frequency spectral content of the signal. The "Detail" control varies the amount of high frequency shelving boost at the frequency determined by the Spectrum control circuit. ]]></description>
<pubDate>Tue, 29 Apr 2008 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/302/</link>
</item>

<item>
<title>Avalon 2022 medium impedance</title>
<description><![CDATA[The AD2022 is a fully discrete, symmetrical Pure Class A microphone preamp. It provides you with a smooth frequency response and very low distortion. Two discrete, high-voltage, symmetrical Pure Class A signal amplifiers are implemented per channel. The twin amplifiers share the gain requirement. This shared architecture increases the high-level headroom capability, improves transient response and doubles the internal bandwidth. The AD2022 is clean and transparent, yet distinctive and musical.]]></description>
<pubDate>Tue, 29 Apr 2008 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/328/</link>
</item>

<item>
<title>Aphex Thermionics Model 1100 high gain</title>
<description><![CDATA[This preamp uses the Aphex Mic Lim circuitry, located directly on the mic input line, which smoothly limits the microphone's output signal. In addition to this, there is the LoCal low-cut filter, which only affects the frequencies below the low-cut corner frequency and gives the preamp about 20 dB more overload headroom. The discrete tube Class-A differential second stage further enhances the preamplifier's common-mode rejection, imparting sonic warmth and character.]]></description>
<pubDate>Wed, 01 Jun 2005 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/250/</link>
</item>

<item>
<title>CADAC G-Series 268E high gain</title>
<description><![CDATA[The "Series G" input channel from CADAC's 1970s recording consoles was as famous as the classic Neve sound. CADAC consoles have an impressive track record in both the live and recording side of the business. With this emulation, you get a combination of exceptional audio quality, reliability in the great British tradition and over 30 years experience in designing consoles.]]></description>
<pubDate>Wed, 01 Jun 2005 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/240/</link>
</item>

<item>
<title>Focusrite GREEN 5</title>
<description><![CDATA[The Green 5 was Focusrite's first attempt to make the classic processing technology of the Reds and ISAs available to engineers on a tighter budget. As with the more recent platinum range, a similar high quality and classic Focusrite sound was assured due to the cleverly designed class A op-amp based circuitry. ]]></description>
<pubDate>Wed, 01 Jun 2005 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/255/</link>
</item>

<item>
<title>Helios Console high gain</title>
<description><![CDATA[The Legendary Helios Electronics Ltd Olympic mic-pre has achieved a renowned status through its use by the Beatles, Rolling Stones, Bob Marley, Led Zepplin and so on.  The mic preamp is extremely open and uses an input transformer that is based on the highly desirable Lustraphone (Olympic Sound Studios) model. It has a unique '70s sonic footprint thanks to all its discrete component design (not a chip in sight!). ]]></description>
<pubDate>Wed, 01 Jun 2005 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/256/</link>
</item>

<item>
<title>Millennia STT-1 (Solid State)</title>
<description><![CDATA[The Millennia STT-1 is clear and extremely pristine for critical and accurate representation of sound, but at the same time it can also deliver colour and thickness. This unit is based on Millennia's "Twin Topology" design. Not only can you switch the tubes in or out of the signal path, but you can also switch the transformer in or out, yielding richer sounds. ]]></description>
<pubDate>Wed, 01 Jun 2005 00:00:00 +0100</pubDate>
<link>http://www.focusrite.com/support/liquid_assets/file/258/</link>
</item>

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